Writing Through Setbacks

 

Vintage typewriter keyboard

 

Writing through Setbacks

During this year’s spring clean, I opened two reedy decorative baskets I had stacked in a corner and forgotten about. Inside one I found 20 skeins of this yarn I had purchased while my children were still at home. I jumped for joy and spread the yarn in the middle of the living room floor. I stood over my find and giggled while pondering what stitch pattern would best show the texture and colors. Too excited to wait, I shrugged my shoulders and immediately began the chain stitches for my newest project.

I finally found a pattern and labored for hours. The first evening, it was after midnight before I stretched and yawned before heading to bed, only to discover my rear-end had gone numb. Several mornings later, I examined my previous night’s labor, and fumed. The design had gaping holes throughout. And there is nothing I hate worse than pulling an afghan over my shoulders, only for my toes to fall into the cavernous holes. I unraveled each stitch and started over.

The next week, I worked many hours on another pattern, to the point that my eyes stung, and my hands and shoulders ached. First thing one morning, I took a gander at what I had accomplished, and the afghan curled in on itself. My yarn was too big for the stitch. I untangled every stitch, hand-rolled the used yarn into balls, threw the balls in a tote bag, and mulled over my options.

I found another pattern I absolutely adored, and commenced once again. With this newly-acquired stitch, I had the afghan halfway completed, then ran out of yarn. Extra yarn could not be purchased because, after all these years, the manufacturer no longer made that style or color. So, I pulled out every stitch, sat back, and considered my options.

My husband can testify that I began the project and pulled out all the stitches at least ten times. After a while, he looked at me like I had three heads and asked, “What are you doing? You’re never going to finish if you keep taking it apart.”

I could have agreed with him, and slapped something slipshod together. Or just thrown the whole thing in the back of a closet and shut the door, never to lay eyes on it again. But I knew if I threw something crappy together, I would have to look at it and know I could have done better. I had started this project, so I became determined to finish and show myself what I was capable of achieving.

Was all of this a waste of time and energy?

Not at all.

Crocheting is a hobby I’ve enjoyed since I was 12 years old. Even so, I know I’ll never learn all the stitches and patterns and new techniques. So while experimenting on this afghan, I taught myself five new stitches and five different patterns. I saved the swatches for ideas down the road.

I learned that while all patterns may not work with such thick wool as this, they will work with several other types of yarn in my stash.

I discovered how not to beat myself up when required to change strategies. It’s no sin or weakness on my part to seek expert advice—that is how YouTube became one of my best friends. I knew there was a pattern perfect for this type yarn, I just had to keep searching.

And this is the finished product.

afghan photo
Photo By Cindy Pope Lowman

Now, what does any of this have to do with writing?

Writing is a God-given talent that I enjoy crafting and polishing. And after several years of working with Word Weavers and The Christian Authors Guild, I’ve come quite a long way. Even through the setbacks.

When we moved to Georgia, I had to make new writing contacts and find other magazines willing to publish my stories. One day the editor assured me I had the lead article in an upcoming issue—then promptly left the publication. The new editor, determined to change the entire format and schedule, dumped my story, and made me look like a fool.

I went home, pulled some of my old writing and tried something different.

Later on, I signed a three-book publishing contract with a local publisher. But that deal fell through when the publisher went out of business, after I had done the rewrites and was preparing the book launch.

Contract
Photo by Cindy Pope Lowman

But like this yarn needed the right stitch, I know there are publishers out there just right for this manuscript; I just have to find them.

Now most of us have an idea for a plot or character that’s been rattling around in our heads for years. Like this yarn I had stashed in a corner, I had to find them. I suggest the same of you. Draw them from the corners of your mind and spread them out before you.

Experiment by putting those ideas on paper. If they don’t work now, unravel them and stitch those words into a written piece worthy of your skill and talent. But don’t ever throw away those tossed-aside words.

Learn as much as you can about writing. That’s what Word Weavers and The Christian Authors’ Guild is all about. We’re here to help you practice and hone your skills.

Never be afraid to seek help. That’s what we’re here for. Join, attend, and engage in Word Weavers critique groups. And don’t forget about their workshops and conferences. You may love your plot and characters, but your critique partners may find cavernous holes the reader can fall through. You will learn how to plug those holes with stronger characters and a tighter story line.

And if necessary, tear your story apart and begin again.

Listening to other writers in Word Weavers will show you what they found important in your story. Not only will the process teach patience, you will become inspired.

Living in a Word Weavers writing community was how I made contact with my critique and accountability partners.

At Word Weavers and The Christian Authors Guild, we never, ever discourage anyone in their writing, and certainly never to the point where you want to slap something slipshod together just to get it over with.

My writing partners have taught me how important it is to set a manageable goal for the completion of my manuscripts. We can teach you the same.

Persistence is the key. Work on your project until your hands and shoulders ache, your eyes sting and blur, and your rear-end becomes numb.

With a lot of hard work, like crocheting this unique afghan, you will develop your own definitive voice.

When you see what you are capable of, you will come to appreciate how wonderful and thrilling completing that manuscript will be. In time, you’ll come to know what works best to allow your talent to shine through.

And you’ll never be satisfied with anything less than your best.

 

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THE GOLDEN AGE OF HOLLYWOOD

hollywood sign

I have no idea where my obsession with classic Hollywood movies came from. But I do remember on Sunday afternoons, after church, my mother, father, and I went to my grandmother’s for lunch and family time with my aunts, uncles and cousins. One particular Sunday, instead of the usual football game, the silent movie, Modern Times, starring Charlie Chaplin, was broadcast. Everyone else turned away from the TV in disappointment and boredom. But I sat riveted to the screen, watching the characters getting into all kinds of comedic trouble. It struck me that what movie patrons found funny in the 1920’s I still found funny.

I spent many evenings in my childhood lying in the living room floor and watching The Big Valley and Perry Mason with my parents. As I grew older, I read and watched interviews with the stars of these programs. I learned that Barbara Stanwyck had been a determined starlet in the 1930’s who graduated from shop-worn female characters to a classic film noir character. Raymond Burr played some really nasty bad guys when he began his acting career.

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That whetted my appetite to know more. Not just about the actors, but about the movies.

In my small Southern town, the only way to access movies from the Golden Age of Hollywood was to stay awake past midnight on Saturday for the Late, Late Show. Once I wanted so bad to watch Lucille Ball and Bob Hope in Fancy Pants. Unfortunately, I didn’t make it past the second commercial break.

When I was in my 30’s, cable finally came to my hometown. And there they were—all those glamorous stars I had heard and read so much about were right before me. In glorious black and white and vivid Technicolor, twenty-four hours a day, seven days a week. I felt I had died and gone to heaven.

To us movie fans, these films stand up today because the human characters are portrayed with real emotions, desires, and goals. And I love watching them in pursuit of solutions to their varied problems. Sometimes they are played for drama, sometimes for sheer comedy.

I lived vicariously through them. As there was no nudity, cursing, or bloody gore, anybody could watch them with me. Whenever plots did contain adult subject matter, it was subtly handled. In The Maltese Falcon, I only realized when I was an adult that Peter Lorre played a gay character. It was noted when Lorre’s character handed his business card to Philip Marlowe, played by Humphrey Bogart, and the card smelled of gardenia.

In Shanghai Express, Marlena Dietrich plays a prostitute. You know that when she says one specific line, “It took more than one man to change my name to Shanghai Lili.” If you don’t listen and watch carefully, you miss it.

 

I didn’t just watch these movies. I studied them. I have bookshelves devoted to biographies of legendary Hollywood actors and actresses. I have read enough to know how the films were made, and who was originally contracted to play the roles we associate so well with certain actors. Most people don’t know that Ronald Reagan was scheduled to play ‘Rick’ in Casablanca. Or that the movie was almost not made because no one thought Bogie could play a romantic lead.

And sometimes the backstory of these movies proved more interesting than the movie itself. After agreeing to sell David O. Selznick the movie rights to Gone With the Wind, Margaret Mitchell changed her mind and refused to sell. David finally got her to agree, and the movie went into production. Only one problem: There was no Scarlett cast. But there was already a shooting budget and schedule established. Without the perfect actress yet contracted to play the role, the first footage to be shot was a stunt couple portraying Rhett and Scarlett running from the Yankees. For the burning of Atlanta, the original set of the 1931 movie, King Kong, was set afire. If you look closely, you can see the three-tiered platform blazing in the background where King Kong first saw the sacrificial maiden, played by Fay Wray.

Gone With the Wind

I started to understand how the movie industry operated, and I began to appreciate how much work and worry goes into the making of a single movie. Which made me appreciate them even more.

As a history buff, I enjoy how these films show a glimpse of Americana in specific time periods. It still amazes me at how much influence these characters had on the movie going public. Clara Bow made it fashionable for young ladies of the 1920’s to bob their hair and use lipstick – a product that caused many divorces in real life because cosmetics were considered to be used only by ‘ladies of the evening’.

The dresses the stars wore were very important to fashionable young women. When Marilyn Monroe posed for her famous subway scene in The Seven Year Itch, the search was on by every young female for a copy of the white dress that blew over Marilyn’s ankles. That scene was filmed while Marilyn and her husband, Joe DiMaggio, were supposed to be on their honeymoon. Poor Joe had to stand silent and watch while other men drooled over his wife’s exposed legs.

In A Place in the Sun, when Elizabeth Taylor stepped onto the screen wearing a white off-the-shoulder party dress with white flowers on the bodice, every girl would have died to have that dress.

Elizabeth Taylor

The clothing company, Hanes, almost went bankrupt in 1934 when Clark Gable pulled off his shirt in It Happened One Night, revealing he did not wear a tee-shirt. The male movie-going public decided if Clark Gable didn’t wear tee-shirts, then they would not wear them either. Until Marlon Brando wore his in his famously dramatic scene in A Streetcar Named Desire.

Clark Gable

During World War II, film star Veronica Lake was famous for her peek-a-boo haircut. So many women tried to imitate the blonde bombshell that the Defense Department asked Veronica to star in a short film and demonstrate to female defense plant workers how to put up their peek-a-boo hairstyle up during the day for safety and productivity, then let the popular style down at night.

If you ever watch the original The Postman Always Rings Twice, pay attention to Lana Turner’s character, Cora. When you first meet her, she is in white shorts, white halter top, white turban, and white shoes. After helping commit her husband’s murder, she is all dressed in black.

Lana Turner

Same thing with Janet Leigh in Psycho. In the beginning, her character Marion Crane dresses in white blouses and bras and slips. After she steals the money, she is all dressed in black undergarments.

Janet Leigh

I still laugh at the most controversial aspect of that movie. It wasn’t the shower scene stabbing. The movie almost did not pass the censors because Marion flushes a piece of paper in the toilet, and the censor board thought seeing the bits of paper swirling in toilet water would be offensive to the mature audience.

As a means of bonding, I tried once to get my mother to sit through Casablanca, but a third of the way through the film, she stood up and advised, “something in the kitchen needs my attention.” She didn’t return until the closing credits were rolling up. When dad saw me watching a 1938 movie starring Jimmy Stewart, he just stared at me and asked, “Why are you watching that old stuff? That came out before I was born!”

When we have family reunions, my aunts, uncles, or cousins have no idea what or who I’m talking about. My grandparents never spoke of movies to me. They acted as if the movies never existed, or was too far in the past. Maybe it was because they were poor country folk and glamorous movie stars only reminded them of their poverty. Maybe it was because they lived too far out to come to town every week. Yet, To this day, I still wonder if any of my family members saw these films when they first premiered. Did they see them in movie palaces? And what did they think of them?

Why does any of this matter to me? I don’t know. Maybe it’s because as an only child, I grew up understanding the difference between being alone and lonely, and these movie characters keep me from being lonely. How many times I’ve watched the films is not important; I still find them comforting, almost a guilty pleasure.

My children grew up understanding my fascination with these classics. In 1993, when snow-poccalypse hit the South, we received 18 inches of snow overnight. The city shut down for a week, and my kids were horrified to learn that we had lost cable. “Oh, dear God, we’re stuck inside and mom can’t have her movie fix.” My son stared at his sister. “What are we gonna do?” Their only saving grace was that I had a bunch of movies on VHS.

Once when my daughter came home from junior high school all upset and crying about not being popular in school, I sat her down and tried to console her by telling her of similar experience I had had at her age. But she advised that I was old and things had changed and she was “the only one in the world going through that.” I put Dark Victory with Bette Davis in the VHS player and sat back, watching my daughter. During one scene, Bette’s character comforts a fellow patient in the sanatorium, a pre-teen girl with braces and pig tails, and Bette listens while the girl talks about her fears and doubts about school and friends. That character, from the 1940’s, spoke the same words my daughter had just spewed forth an hour before. I grinned at my daughter. “And you said you were the only one in the whole world to be going through this!” That was thirty years ago, and my daughter still hates it when I bring up that story.

Every time the kids come to the house, they check the TV to see what movie is playing, happy to see that sometimes the movies are in color. Then they ask how many times I’ve already seen it. But that’s not important to me.

I begin each day by sipping on my morning caffeine while checking the “Guide” feature on the remote to see the movies scheduled for the day, then plan my day accordingly. Now days, my TV is tuned every day to Turner Classic Movies, and I record most of them to enjoy over and over. Most days, movies play in the background while I sit at the computer and try to get some writing done. And I know the films so well, I can tell how far along the movie is because of the dialogue.

Most evenings, I bore my husband to tears by pausing a film I have recorded or purchased on DVD to ask if he recognizes a well-known actor in an early role, or what was going on in the star’s life at the time the movie was being made; who was married to whom; how and when they died; etc. The funny thing is, each morning while he prepares his coffee, he asks, “What’s the movie theme for today?”

I anxiously await the month of December when ‘TCM Remembers’ shows snippets of the stars, directors, editors, musicians, etc., who have died that year. It’s heartbreaking sometimes, because I feel that I know these people and/or characters so well, and it is such a loss. But with the movies constantly running, it’s almost like the members of the movie system never really die.

I know life isn’t like the movies, but it is comforting to know that somewhere in the world good overcomes evil, and the characters that need killing eventually get their just desserts.

Now What Do I Do?

Tea Cup & Journal photo

 

One year ago, I had a three-book contract with a local publisher, rewrites to do before the book launch scheduled for October, a book tour to plan, and money in the bank. My dream was coming true. So I retired from the corporate world.

Suddenly, there was no alarm clock to jar me awake every morning before dawn, no traffic to deal with, no lost time commuting, and no one making demands of my time or energy.

Traffic Jam Photo

However, all has not gone as planned. Just as I completed the rewrites and were in discussions on book cover designs and where to have launches, the publisher went out of business. My world shattered.

After receiving that news, I was up again before dawn, crying, worrying and praying. Had I done the right thing? How could I have been so stupid? Then I played what if with myself: What if Rob or I had a serious accident or illness? What if we lost everything in a house fire? What if the economy went into a depression and we lost all our savings?

And no one ever tells you about the loneliness. One day, after I completed a chapter, I turned around to ask a co-worker about lunch – but there was no one there. Just me, my spouse, and the dogs.

I spoke with a friend of mine who advised it took at least six months to get used to the lifestyle change. And she confirmed that it was a lifestyle change, not something I had done to myself. So I gave myself six months to see if I felt any different.

Beaming with new-found confidence, I sent the manuscript off to a couple of publishers that had expressed interest in the novel. I also applied to job sites and employment placement agencies—just in case.

Six months passed, and several agencies advised that my skill set, experience, and maturity were not major influences in the current work environment. Should I chose to go back to school and beef up my computer skills in at least five different software programs, I might be able to get an entry-level position in downtown Atlanta or Alpharetta. For $15 an hour. And a 2-hour commute each way. And I would be in direct competition with kids fresh out of college.

On top of that, from November through April, it rained nearly every day, which did nothing to appease my fears and worry. And I still haven’t heard back from either of the publishing houses.

With no real purpose, and nothing to do during those rainy days, Rob and I also fell into a routine of watching TV while I crocheted all day or going to doctor appointments.

Crochet Photo
Yes, I made this scarf with my own two hands.

And I ate heartily of the evening meals my husband prepared, eventually gaining over fifteen pounds.

As the days, weeks, and months passed, I worried and pondered and thought even more.

Do I go speak with a guidance counselor about going back to college to earn another degree and debt so I can work until I’m seventy five to pay it off?

Do I speak with a counselor about how best to deal with the loneliness and depression?

Do I get a mentor to assist in focusing on producing other novels in my head? But several of my writer friends have told me over and over that books are not selling.

My daughter suggested I volunteer at a local charity. If I volunteered at the Humane Society, I know I would be heartbroken over every stray and bring them home, which would be detrimental, not only to the animals, but to my bank account, as well as mine and my husband’s sanity.

Volunteer at a children’s hospital? I wouldn’t be able to hide my tears and fears from the patients, which would depress the poor kids even more.

And there’s still the question of what do I do about the lack of income?

People have suggested I become an entrepreneur and sell products or life insurance or real estate. Don’t make me laugh. I couldn’t sell heaters to Alaskans in the middle of winter.

So what is a poor, old woman to do?

Until I find my real purpose, I spend my time reading an awful lot of books in several different genres.

 

Book photo
This is just a sampling of my bookshelves!

 

I teach myself new crochet stitches and incorporate them into scarfs and afghans for Christmas presents.

I continue meeting with my writing and critique groups.

I started a weight-loss program, then signed up for Pilates classes, became a member of the aquatic club, and take the dogs on five-mile walks a couple of times a week.

With my exercise and new eating regime, I have lost ten of those 15 pounds.

I write articles for a local magazine, which pays fairly well, but is not sustaining.

I wrote several personal essays that my writing instructor suggested I send to publications. One of my essays was on my passion for Turner Classic Movies. I took a chance and sent it to the TCM Backlot Atlanta chapter president, who published “The Golden Age of Hollywood” on their website.

Hollywood Article

While I await feedback from the publishing houses, I keep in touch with my editor who is mentoring me on completing the other novels in my head.

And I’m waiting for my next assignment from the magazine publisher.

I still get up some mornings before dawn and cry, worry, and pray but I know God has something better planned for me.

Just in His own time.

Still So Much to Learn

Dark Obsession Cover(1)

Tentative Cover for Dark Obsession.

Cover Courtesy of Crystal Wilkins

I attended the Georgia Romance Writers meeting in Atlanta recently and sat with Mary, my editor (that still sounds funky) and other authors at Gilded Dragonfly Publishing. For some reason, that particular Saturday meeting generated a packed house.

The president, Tanya, began the meeting with announcements, then asked if anyone had sold a book.

I sat there.

The announcements continued.

Mary looked at me and asked why I didn’t raise my hand.

“Because I haven’t actually sold a book to the public.”

She stared at me. “You sold a book to us!”

So that’s what that meant! I still have so much to learn.

I met up with Tanya and admitted my ignorance. She brought me up to the front of the room and introduced me as having sold my first book. Then she asked me to go to the podium and say a few words.

All those eyes upon me, I froze. Somehow I managed to rattle off a bit about the contract and acknowledged Gilded Dragonfly Publishing.

Then I received my Purple Rose Pin in front of everyone. Never in my wildest dreams had I imagined that would ever happen.

Purple Rose Pin

Photo Courtesy of Cindy Pope

 

While I made my way back to my seat, they all cheered and clapped.

Mary advised me there was much more to come. She then asked if I was working on the new book.

Suddenly I was brought back to reality.

But it was fun. And I’ll treasure that pin forever. And the memories.

 

DREAM COME TRUE – SIGNED CONTRACT

Contract
Photo by Cindy Pope Lowman

Ladies and Gentlemen,

It gives me great pleasure to announce that I ended 2017 with a signed contract from Gilded Dragonfly Books, LLC.

My dream has finally come true!

The rewrites for Dark Obsession are to begin late winter of 2018.

I am currently working on Book #2 – Dark Desire.

Updates are forthcoming.

As are future Writing Life blogs.

I want to thank everyone for hanging in there with me. It’s been a long road with a lot of hard work and frustration. But I’m getting there.

 

 

The Writer as Portrayed in Hollywood

 

Movie Review

In a Lonely Place

Vintage typewriter keyboard

History has recorded countless brilliant writers who turned to alcohol or drugs for their muse. And Hollywood has not been any better in its portrayal of writers in the movies. We’ve been depicted as irresponsible, conniving, manipulative, depressed, and even demented.

Writers understand that showing them at work is dull. Who wants to sit and watch someone type or stare blankly at a clean, white sheet of paper or computer screen for hours?

But showing us in trouble is a different story.

In the 1950 film noir, In A Lonely Place, Humphrey Bogart plays Dixon Steele, a famous and distinguished writer, who is a genius at screenplays, but has an explosive temper.

As the movie opens, Steele is a down-on-his luck screenwriter, yet likeable and intelligent. He has one last shot at writing a movie treatment on an epic novel. The complication is the attractive and young Mildred, who is helping him with the plot of the novel, is murdered just after leaving his home, implicating him as the number one suspect.

That same evening, he catches the eye of his new neighbor, Laurel Gray, played by Gloria Graham. She knows how to help with his issues, and he is more than willing to oblige. Because of her, he finishes the script and the movie is ready to go into production.

Happy with the way everything is falling into place, Dixon and Laurel become engaged, but the murder investigation is still hanging over Dixon’s head. And his anger issues only make things worse. Everyone begins to wonder if he really did kill Mildred. His only saving grace is the detective in charge of the case was Dix’s commanding officer and friend in the war, and his fiancée alibis him throughout.

Then, with one slip of the tongue, all hell breaks loose. And Dixon’s temper flares to the point that anyone close to him is in jeopardy, thereby ruining the murder investigation, his engagement, and his writing career.

The farewell notes in the movie are attributed to the screenplay Dixon has just finished:

I was born when she kissed me; I died when she left me.

            I lived a few weeks while she loved me.

Maybe our imaginations do get us into trouble. We are often misunderstood, yet temperamental, and easily bored. We listen to the characters in our heads, get distracted by the smallest things, yet work feverishly to get it on paper. And all with the knowledge that possibly no one will read one word of it.

But when we sit down and do the work, look at what we create.

We definitely have our moments.

 

The All-Important First Line of a Novel

Genesis: “And God created the heavens and earth.”

Fountain Pen Writing in Journal

Throughout my writing career, the importance of a memorable first line has been greatly stressed. As I closed the book I was reading the other night before bed, I got to thinking about all the novels I’ve read and which ones I still remember that opening first line.

The Bible opens with a first line the entire Christian world knows by heart: “In the beginning, God created the heavens and earth.” And thus begins the story of humanity, and where we came from. But this is just the beginning of the tale. God created our world, and us, for a purpose. It is up to us to complete our journey with God as graciously and honestly as we can.

For his novel, A Tale of Two Cities, Charles Dickens wrote, “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.” Before continuing, you know the character has experienced the best in his life, but has also suffered through personal tragedy. While you, the reader, knows he has survived, you still want to know more. Plus this opening has a duel meaning. At the time, Paris, France, was like two different cities at once: she was at her best, but her downfall was forthcoming.

My favorite first line of a novel is from Dame Daphne du Maurer’s Rebecca. This novel opens with the haunting line: “Last night, I dreamt I went to Manderley again.” I immediately sense the mood of this thriller, and know the main character has suffered a hurt so profound that even in her sleep, she cannot escape. And I know that her journey from a dark place has only just begun.

For my own humble attempt at an opening line for my forthcoming paranormal romance, Dark Obsession, I chose, “Blood pounded in Mark’s ears as his dark obsession pulled him once again to Bell House.”

Have I done my job as a writer to make you want to know more?

What are some opening lines of novels you remember most?

What makes you remember them so?

The Hard Work of Writing

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Photograph by Cindy Pope Lowman

 

Genesis 2:15: “The Lord took the man and put him in the Garden of Eden to work and take care of it.”

 

It never ceases to amaze me at the people who say, “Oh, what fun it must be to write! To have the perfect words just flow over the pages. And, after a couple of hours, your work is done so you can go play and spend all that money that you make.”

I wish!

Writing is work – like hard, manual labor – the kind of labor that every day you dread starting. The writing portion is bad enough, but with the research, critiques, rewrites and reorganization, it is intensive shedding of blood, sweat and tears that seems to go on and on.

At a book signing several years ago for non-fiction writer Ricky Bragg, someone asked him about his writing process. He admitted that writing was work – hard work. He likened it to “diggin’ taters.” I chuckled out loud and said, “Or hoeing cotton.”  He looked my way and said, “Yeah, that too.”

You don’t jump up in the mornings and think, “Oh, goody! Today I get to dig taters and hoe cotton!” As writers, we don’t jump up each morning and think, “Oh, goody, today I get to work on that Great American Novel.” Or finish that article that is fast approaching deadline, or even start the blog that’s due.

And I never could figure out why.

Upon doing some research, I learned that when we write, longhand or on the computer, we are using both sides of our brains at the same time. The left hemisphere controls the right side of the body, and is responsible for logic, science and math. This analytical section of the brain is used to get the mechanics of words on the page, forming letters, proper words and coherent sentences. The right hemisphere controls the left side of the body and is responsible for our creativity. This emotional side produces the scenes, dialogue, sights, sounds, aromas, character traits, plots and plot twists.

Even during the editing process, the writer must keep track of the characters and who has said what and when, as well as make sure the research is correct and all sentences are grammatically correct.

Why on earth would someone go to so much trouble for so little gain? When just setting up a scene and having a character enter that scene takes a lot of brain power?

We do it because of the finished product. It gives us such pleasure and a sense of accomplishment that we have created something to be proud of.

There is nothing like working on a piece and have someone genuinely touched by our words. It brings joy seeing our thoughts and images on paper for all to read, enjoy, and maybe learn from. To see someone smile or cry at our words is very special for writers. And no one can take that away. Ever.

For writers, that is akin to being in the Garden of Eden.

Even if it’s a bad writing day when nothing goes right, we are there to work the writing and take care of our precious gift from God. It is up to us to nurture that gift, mold it into something worthwhile, and share it with the world.

And if we don’t?

Well, we all know what happened in the Garden of Eden when Adam and Eve did not do God’s bidding.